Usually I don’t paint or draw people outside of my portrait work because I like my landscapes to be empty, and anyway it feels a little intrusive to paint or draw people in public. Sometimes I feel the piece needs a focus, or something attracts me about someone. But as these painting attest, it’s usually about the singular solo moment, the solitude standing.
Solitude stands in the doorway
Suzanne Vega – Solitude Standing
And I’m struck once again by her black silhouette
By her long cool stare and her silence
I suddenly remember each time we’ve met
Rivers not only are reflections, they quite often are places of reflection and introspection, too.
I wasn’t going to post all of these, but I think they work as a set. Something almost De Chirico about some of these, and I’ve realised I almost always portray people facing away from me.
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